In an interview with MovieMaker, Linus Sandgren, FSF talks about shooting on film with anamorphic lenses.īecause of what Damien wanted to do with this film… he felt that the film had to be shot in the scope format, anamorphic. Lenses: Panavision Anamorphic ( C Series, E Series), Custom Panavision 40mm Anamorphicįormat: Film - 35mm ( Kodak Vision3 500T 5219, Kodak Vision3 250D 5207), 16mm ( Kodak Vision3 500T 7219) Oscar Nominations: 14, including Best Picture, Best Director, Best Cinematography, Best Film EditingĬamera: Panavision Panaflex Millennium XL2 Image: Damien Chazelle via Summit Entertainment Here are the cameras and lenses behind many of the most popular 2017 Oscar nominees.
That said, if you have a story so good that the Academy likes it, it certainly doesn’t hurt to have nice equipment too. When it comes to filmmaking, it doesn’t really matter what gear you have - as long as you have a great story. Top image: Rodrigo Prieto on the set of Silence via Kodak Take a look at the gear and glass behind this year’s Academy Award-nominated films, and get the behind-the-scenes scoop from the filmmakers themselves.
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